2024桃園青年設計展暨國際設計論壇

方品欣

這幅作品旨在表達人類過度砍伐森林，破壞自然環境的問題。利用英語文法的時態變化，從過去、現在到未來，展示了樹木的演變過程。畫面中的樹木排列成三角形，象徵著穩定性，但隨著濫砍濫伐的持續，未來的森林將只剩下一個象徵安息的十字架，表達出人類若繼續破壞，最終將與森林告別。

Fang Pin Xin

This piece aims to highlight the issue of human-driven deforestation and environmental destruction. By using the concept of English verb tenses, it illustrates the evolution of trees from the past, through the present, and into the future. The trees in the image are arranged in a triangular formation, symbolizing stability, but as deforestation continues, the future is represented only by a cross, symbolizing rest in peace. It conveys the message that if humans persist in their destructive ways, we will ultimately bid farewell to the forests.

陳芊妘

現今台灣的新聞媒體充斥著各種無意義的報導，內容偏向娛樂節目，缺乏深度與專業性。這張海報用支離破碎、無法閱讀的文字構成「NEWS」一詞，表達了現代媒體中無價值的內容，就像滿紙的空話，毫無意義。

Chen Qian Yun

Today's Taiwanese news media is filled with meaningless reports, leaning toward entertainment rather than substance, lacking depth and professionalism. This poster uses fragmented, unreadable text to form the word "NEWS", symbolizing the valueless content often found in modern media—empty words on paper with no real meaning.

林霈語

這幅作品以「永字八法」為靈感，創作出「永續八法」，將傳統書法中的八種筆畫轉化為生態永續的理念：「節、碳、分、自、綠、蔬、再、植」。節能、減碳、垃圾分類、自備餐具、綠建築、多吃蔬果、發展再生能源及植栽綠化，皆是現代社會為實現永續發展所應遵循的八項原則。

Lin Pei Yu

This piece is inspired by the "Eight Principles of Yong" from traditional calligraphy, reinterpreted as "Eight Principles of Sustainability" in the context of ecological sustainability: Energy Saving, Carbon Reduction, Waste Sorting, Using Personal Utensils, Green Buildings, Eating More Vegetables and Fruits, Developing Renewable Energy, and Planting Greenery. These eight principles represent the essential guidelines for achieving sustainable development in modern society.

游柏威

本作品探討了現今社會職場的黑暗面。人們常因追逐利益而對他人施加霸凌，受害者往往因為眼前的利益誘惑而選擇忍氣吞聲。作品中，束縛的線條象徵著被壓制的內心，整體色調以暗紫色與紅色為主，營造出痛苦與委屈的氛圍。頭髮上的酒精滴墨表達了內心的混亂，而畫中加入的眼睛則代表了人們對物質世界無窮無盡的貪欲。

You Bo Wei

This work explores the dark side of contemporary work environments, where the pursuit of profit often leads to bullying and exploitation. Victims are frequently coerced into silence due to the lure of immediate benefits. The piece uses constraining lines to symbolize suppressed emotions, with a color palette of dark purple and red to evoke feelings of pain and injustice. Alcohol droplets on the hair represent inner turmoil, and the inclusion of eyes in the artwork signifies the boundless greed for material wealth.

林沁潼

貪婪的人類過度捕撈，導致魚類資源日益稀少，未來台灣可能面臨無魚可撈的窘境。作品中，無數隻手湧入並推疊出台灣的意象，這些不停捕撈的雙手與密不透風的漁網層層包圍，象徵人類無止盡的貪婪。未來的美麗之島，若繼續如此，可能只剩下空無一物的「魚光島」。

Lin Qin Tong

Human greed has led to overfishing, resulting in dwindling fish resources. Taiwan may face a future where fish are no longer available. The artwork depicts countless hands surging in and stacking up the imagery of Taiwan, with these relentless fishing hands and tightly packed nets symbolizing humanity’s insatiable greed. If this continues, the once-beautiful island could become a barren "Island of Empty Fish".

戴羽彤

靈感來自宮崎駿的《神隱少女》，作品中的印章文字「饕餮之徒」比喻貪婪無厭之人。印章透視出未消化的食物，字體烙印在怪物身上，左邊方框飄出細胞，背景帶有基因，象徵著內心的貪婪與無止盡的慾望。怪物眼睛如同監視器般，不斷搜羅能夠吞下的食物，而下方則是各種食物殘渣，為整個作品增添了飽滿的氛圍。

Dai Yu Tong

Inspired by Hayao Miyazaki's "Spirited Away", the piece features the stamp text "glutton", metaphorically representing the insatiable greed of individuals. The stamp reveals undigested food, with the text branded onto the monster's body. Cells float out from a square on the left, and the background is adorned with genetic motifs, symbolizing inner greed and endless desire. The monster’s eyes, resembling surveillance cameras, constantly search for consumable food, while various food scraps at the bottom contribute to the overall feeling of excess.

林淨萱

52赫茲鯨魚，由於其發聲頻率與其他鯨魚不同，被稱為「世界上最孤獨的鯨魚」。而鯨落，指的是鯨魚死亡後沉入海底，並將自身化作海洋生物的養分。這幅作品將52赫茲鯨魚與鯨落結合，象徵那些默默無名、無私奉獻的人們，即使在生命的最後一刻，仍然為社會貢獻一己之力。

Lin Jing Xuan

The 52-hertz whale is known as the "loneliest whale in the world" due to its unique vocal frequency, which differs from that of other whales. Whale fall, on the other hand, refers to the process where a whale’s body, after death, sinks to the ocean floor, nourishing marine life. This work combines the concept of the 52-hertz whale and whale fall to symbolize those who, though unrecognized, selflessly contribute to society, even in their final moments.

紀于蔓

這幅作品呈現了一個看似美麗但充滿垃圾的海洋世界。塑膠袋變幻為海洋生物的形象，隱喻被垃圾入侵的海洋。作品以反諷的手法提醒觀者反思海洋污染的問題，假如不加以控制，海洋生物或許會逐漸消失，只剩下人類留下的垃圾在海中孤獨地漂浮。

Ji Yu Man

The artwork depicts a seemingly beautiful yet polluted ocean, where plastic bags take on the forms of sea creatures, symbolizing the ocean's invasion by human waste. Through irony, it prompts viewers to reflect on the problem of ocean pollution. If left unchecked, marine life may gradually disappear, leaving only human trash adrift in the sea.

林育慈

在網路盛行的時代，人們可以輕易獲得各種資訊，但同時也有人利用這些資訊來傷害他人。透過隱藏身份的方式，在網路上毀謗他人，甚至利用影片、視頻等方式加深對他人的傷害，這些行為在現今社會中越發頻繁，對受害者造成了無法磨滅的心理創傷。

Lin Yu Ci

In the age of the internet, people have easy access to a wealth of information, but some misuse this information to harm others. Through anonymity, individuals defame others online, even using videos to intensify the damage. Such behaviors have become increasingly frequent in modern society, causing indelible psychological trauma to victims.