2024桃園青年設計展暨國際設計論壇

堅韌出爐
杜智弘(老師)、李後恩(學生)、邱奕棋(學生)

作品採用2D動畫的形式，以麵食為主題結合七十年來台灣所歷經的大事件串成故事，喚起國人共同的經歷與情感，表現台灣人勇敢面對挑戰的堅韌性格。(2023育秀盃創意獎影片類首獎)

Resilience Fresh from the Oven
Tu Chi Hung, Li Ho En, Chiu Yi Chi

Created in a 2D animation format, this piece uses noodles as its central theme, weaving together key events from Taiwan’s history over the past 70 years. It evokes shared experiences and emotions, showcasing the resilience of the Taiwanese people as they bravely face challenges. (First Prize, Film Category, 2023 YS Award).

變身票系列

杜智弘(老師)、徐俊宇(學生)、曾祥源(學生)、董宜晉(學生)、周健勛(學生)、洪啟邦(學生)

創作目的為宣傳台新基金會票選捐助對象活動，極大化愛心的涵蓋範圍。作品將選票化身為機票、郵票、電影票等票券，重新定義票面的訊息傳達善心的影響力。(2024時報金犢獎國際競賽銀犢獎)

Transformation Ticket Series

Tu Chi Hung, Chih Jun Yu, Zeng Xiang Yuan, Dong Yijin, Zhou Jian Xiun, Hong Chi Bang

The purpose of this work is to promote the Taishin Charity Foundation’s donation voting campaign, maximizing the reach of charitable acts. The design transforms voting tickets into plane tickets, stamps, movie tickets, and other forms of tickets, redefining their message to convey the power of kindness. (Silver Award, 2024 Times Young Creative Awards).

重新發現城內梅村
許永昌、杜健榕、孫翊銨

梅村，是一家在臺北城內裡擁有40多年歷史的老牌日式料理餐廳。本設計以既有的梅村日本料理作為基礎，保持其日本料理的傳統與舊有日式傳統建築，在內部捨棄傳統意象重新整合並引入現代化的設計手法，迎合當代用餐者的口味和期望，在延續歷史的同時，將新與舊融入在一起，重新詮釋不同以往的用餐體驗與過去截然相反的梅村，把一段未完成的故事重新書寫下去。

Rediscovering Umemura in the City

Hsu Yung Chang, Du Jian Rong, Sun Yi An

Umemura Japanese Cuisine is a long-established restaurant with over 40 years of history in downtown Taipei. This design is based on the existing foundation of Umemura’s traditional Japanese cuisine and old Japanese architectural style, preserving its culinary and historical roots. While continuing its legacy, the interior discards traditional imagery and is restructured with modern design techniques to meet the tastes and expectations of today’s diners. By blending the old with the new, this design reinterprets the dining experience, offering a contrast to the past and continuing to write an unfinished story that bridges history and innovation.

Car house
高逸臣、謝雅因

應全球氣候的變遷，台灣決定在2040年禁售燃油車，以達到減碳排的目標，電動車及新能源車將取代燃油車，傳統車業也將會面臨轉型，所以我們選擇了一家汽車百貨為作品基地。整體空間想以舒適且帶有科技感的方向發展，在空間配色上已白色為主，再以些許紅色作點綴做出運動感，空間整體以圓弧流線的線條分割整體空間，形成車身的線條，也作為空間上的引導，使前來的顧客能更直覺的選購其商品。

Car House
Gao Yi Chen, Xie Ya Yin

In response to global climate change, Taiwan has decided to ban the sale of gasoline-powered vehicles by 2040 to meet carbon reduction goals. Electric and new energy vehicles will replace gasoline-powered cars, prompting a transformation in the traditional automotive industry. For this project, we chose an auto department store as the base of our work. The overall space is designed to be comfortable while incorporating a sense of modern technology. The color scheme predominantly uses white, with touches of red to create a sporty feel. Curved, flowing lines divide the space, mimicking the contours of a car body and guiding customers intuitively through the store, enhancing their shopping experience.

石情畫意
黃品超、徐若涵、陳怡君、吳少頎、馮冠儒

廟宇文化與我們的生活緊密相連，廟宇的石雕裝飾都有著它其存在的歷史故事與意義，將富有寓意吉祥、祈福避邪的造型意涵，結合海報設計、包裝造型上，於是我們選了兩種三峽祖師廟經典的石雕來做設計，分別是代表「春夏秋冬」系列石雕和石獅子。傳遞文化典故與寺廟石雕裝飾之美。以有「東方雕刻藝術殿堂」這個美譽的「三峽祖師廟」的石雕去做專題研究。希望透過我們的專題介紹，能讓三峽祖師廟石雕更被眾人熟知，拉近大眾對於廟宇石雕文化的了解，藉由插畫設計結合石雕圖像，使石雕文化不會就因此沒落，而無人知曉。

Stone Imagery
Huang Pin Chao, Hsu Jo Han, Chen Yi Chun, Wu Shao Qi, Feng Guan Ru

Temple culture is closely intertwined with our daily lives, and the stone carvings that adorn temples carry historical stories and meanings. These carvings, often symbolizing good fortune, blessings, and protection, are integrated into our poster and packaging designs. We selected two iconic stone carvings from Sanxia Zushi Temple for our design: the "Four Seasons" series and the stone lions. These elements convey the beauty of cultural traditions and temple stone carvings. Known as the "Palace of Oriental Carving Art", Sanxia Zushi Temple’s stone carvings were the subject of our research. Through this project, we hope to raise public awareness of the temple’s stone carving culture, bridging the gap between the general public and this cultural heritage. By combining illustration with stone carving imagery, we aim to ensure that this rich cultural tradition continues to thrive, rather than fade into obscurity.